Showing 37–48 of 74 results
Designer Collections, Four Seasons Collection, Khotan Rugs, The Contempo Collection, Ziegler & Company
Finest Ziegler & Co. Khotan made of natural wool and dyes. The city of Khotan has an ancient crafting culture that includes both silk and carpet weaving. Rugs from the city of Khotan depict an abundance of cultural and stylistic influences. The vast majority of the rugs which were woven in the city of Khotan have a style that is highly sought after by collectors.
13 x 16
Khotan, Pakistan Rugs, Ziegler & Company
13 x 17’9
A classic motif of East meeting West and this evocative of all the East Turkestan motifs is the pomegranate, signifying prosperity and Wealth. Beautifully faded colors to make a room look bigger and warmer.
Designer Collections, Indian Rugs, Oushak, The Montecito Collection, Ziegler & Company
13’3 x 17’10
Finest Ziegler Oushak Montecito Rug Collection designed by Micheal Kourosh and woven by Ziegler & Company are decorative, functional and unique in design. They are sought after by successful interior designers and discerning home owners alike. These rugs are desirable as highly decorative pieces of floor art.
Clearance Sale, Khotan, Khotan Rugs, Khotan Rugs
12’1×14’11
Khotan Rugs – A space reflects a person’s personality, desires and traditions. Each piece builds off of one another, bouncing ideas back and forth eventually creating a unifying space.
Antique Rugs, Farahan, Ziegler & Company
10’3×14’11
Antique Farahan rugs and carpets that were produced in the Arak region of west central Iran, are remarkable for their ability to combine different qualities and sensibilities.
Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.