Showing 373–384 of 567 results
Antique Rugs, Oushak, Oushak Rugs, Persian Rugs, The Montecito Collection, The Montecito Valley Club Collection, Ziegler & Company
7’9 x 9’6
Finest Ziegler & Co. Oushak made of natural wool.
Collectible Rugs, Navajos, Textile Art, Tribal
5’10 x 8’9
This antique Navajo rug has a hill design with lovely all-natural dyed coloring. Navajos are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Hand-spun wool from sheep animals was the main source of yarn for Navajo blankets until the 1860s.
Antique Rugs, The Montecito Collection
5’4×11’7
Rare Antique Kuba Rug in a very unusually large format from the east Caurcasus and West of Caspian sea woven in the second half of eighteenth century. It is in Mint condition with original macrame ends and blue cotton selvedge. With most desirable and saturated color. The Design reminds one of a bright stary night fool of surprises.
Antique Rugs, Collectible Rugs, Kashan Rugs, Kourosh Collection, Mohtasham, Silk Rugs, Ziegler & Company
This rare silk Mohtasham Kashan is decidedly one of the more significant of the collectable Persian carpets. Many of the prized antique kashan rugs found today come from the second half of the 19th century to the beginning of the 20th century. This finest kashan would have been commissioned for individual’s homes. These lovely antique carpets are made with natural vegetable dyes and are made to literally dazzle.
7’4×8’8
Antique Rugs, The Malibu Collection, The Montecito Collection, Ziegler & Company
Finest rare antique Sumatran Ikat rug hand spun of natural wool and dyes. The design motifs including Mythical Animals and Human forms which were created to protect the weaver of the ikat from evil spirits and bring good luck in their life are indicative of an original in Sumba, Indonesia.The vegetable and mineral dyed colours place it’s creation date to between 1950 and the mid 1960s. 4’10×7’9
Antique Rugs, Indian Rugs, Tribal
Many people like to hang up their Native American Kilim on the wall instead of a picture or use them as bedspreads. A great advantage with a Kilim is that some varieties are double sided and can be turned if they get dirty which increases their lifespan.
6×8’10
Antique Rugs, Navajos, Tribal
6’11 x 8
Navajos are textiles produced by Navajo people of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Hand-spun wool from sheep animals was the main source of yarn for Navajo blankets until the 1860s.
Antique Rugs, Oushak, Oushak Rugs, Persian Rugs, The Montecito Collection, The Montecito Valley Club Collection, Usak Rugs, Ziegler & Company
4’11×7
Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period
Modern Rugs, The Malibu Collection, The Montecito Collection, Tibetan Rugs
6’1 x 8’11
Modern plain Grey hand spun rug made of natural wool
Antique Rugs, Farahan, Ziegler & Company
10’3×14’11
Antique Farahan rugs and carpets that were produced in the Arak region of west central Iran, are remarkable for their ability to combine different qualities and sensibilities.
Antique Rugs, Sarouk Rugs, Ziegler & Company
10’7×15’10
In the early 1900s, painted Sarouks that were over-dyed in vibrant hues of garnet and salmon-pink brought regional rugs to a new height of popularity
Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.