Showing 229–240 of 299 results
Agra, Antique Rugs, Designer Collections, Runners, The Contempo Collection, The Four Seasons Collection, Ziegler & Company
Rugs like this Persian Tabriz Runner are known to display the most variety when it comes to design and color. The high quality wool is dyed with natural dyes.
2’9×9’8
Antique Rugs, Designer Collections, Khotan Rugs, Khotan Rugs, Persian Rugs, Runners, Ziegler & Company
This Khotan Runner is made of natural dyes and handspan wool. This beautiful creation is modeled after an 18th c. piece that carries different cultural influences from the city of Khotan.
2’6×9’10
Clearance Sale, Khotan, Khotan Rugs, Khotan Rugs
12’1×14’11
Khotan Rugs – A space reflects a person’s personality, desires and traditions. Each piece builds off of one another, bouncing ideas back and forth eventually creating a unifying space.
Designer Collections, Modern Rugs, Silk Rugs, The Contempo Collection
11’11×15
Natural silk hand made of natural wool.
Antique Rugs, Farahan, Ziegler & Company
10’3×14’11
Antique Farahan rugs and carpets that were produced in the Arak region of west central Iran, are remarkable for their ability to combine different qualities and sensibilities.
Antique Rugs, Sarouk Rugs, Ziegler & Company
10’7×15’10
In the early 1900s, painted Sarouks that were over-dyed in vibrant hues of garnet and salmon-pink brought regional rugs to a new height of popularity
Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.