Showing 13–24 of 25 results
Designer Collections, Oushak, Oushak Rugs, Usak Rugs, Ziegler & Company
12 x 18
These carpets are also extremely desirable because of their colors – which are usually much lighter and “happier” in feel than rugs from other regions. So if you are looking for an antique or vintage rug with a soft colors, theses should top your list.
Antique Rugs, Collectible Rugs
7’9×9’9
This antique Turkish Bergama rug possesses an exquisite natural palette and patina, and offers inspired artistry unique to its provenance.
7’9×9’9
Collectible Rugs, Oushak, Oushak Rugs, Persian Rugs, The Montecito Collection, The Montecito Valley Club Collection, Usak Rugs, Ziegler & Company
8×9’10
Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period. Historians attributed to them many of the great masterpieces of early Turkish carpet weaving from the fifteenth to the seventeenth centuries
Antique Rugs, Collectible Rugs, Oushak, Oushak Rugs, The Montecito Collection, Ziegler & Company
Oushak rugs began just south of Istanbul, Turkey, named after the town: Oushak. The Oushak carpet is Persian-influenced unlike most Turkish rugs. The town of Oushak has produced Turkish rugs ever since the 15th century.
7’8×15’8
Antique Rugs, Classical Rugs, Collectible Rugs, Ziegler & Company
Finest Ziegler Oushak is a very beautiful example of the masterful Turkish classical weaving. These “sampler” rugs were used to show potential customers the many patterns and motifs available to them.
Size:8’9 x 12’3
Caucasian Rugs, Oushak rug
This 17th Century Classical Oushak carpet design is an superb example of the best-known group of classical Ottoman workshop weavers. In the 16th century, carpet weaving was revered as one of the highest forms of art by the Turkish court. Weavers of that time had tremendous resources at their disposal in creating objects of the utmost beauty. These carpets are made to reflect the power and refinement of the Ottoman Empire. Turkish design traditions, dictated that all designs were endless in the eyes of God, and that an artist was only able to capture a small portion of any given design for earthly representation by confining the repeat within a border. The power of these carpets was appreciated by the rulers of the East as well as by the noble, aristocratic and richer classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste of the sitter. One of the most famous of these early depictions is a posthumous portrait of Henry VIII and his family attributed to Lucas de Heere, circa 1570.
12′ x 15’8″