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Tapestries, Textile Art
This Antique romantic scene tapestry is of utmost beauty and full of life. As most of the European Tapestries used to be draped on the walls of castles for their shear importance and heritage, this one is also full of fine intricate details
5’2×6’7
Tapestries
This Scenic tapestry is of utmost beauty and full of life. As most of the European Tapestries used to be draped on the walls of castles for their shear importance and heritage, this one is also full of fine intricate details
5’10×4’4
Antique Rugs
17th Century Ghiordes– The famous rugs of Ghiordes captured the hearts of European collectors in the 1700’s. Early Ghiordes prayer rugs are among the most iconic of their type in Anatolia and the surrounding area.
Size: 4 x 5’5
Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.
Classical Rugs, Oushak Rugs, Pakistan Rugs, Usak Rugs, Ziegler & Company
These extremely rare design concepts on this Ziegler & Company Usak Rug continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.
12′ x 15