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Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.
Classical Rugs, Oushak Rugs, Pakistan Rugs, Usak Rugs, Ziegler & Company
These extremely rare design concepts on this Ziegler & Company Usak Rug continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.
12′ x 15
Caucasian Rugs, Oushak rug
This 17th Century Classical Oushak carpet design is an superb example of the best-known group of classical Ottoman workshop weavers. In the 16th century, carpet weaving was revered as one of the highest forms of art by the Turkish court. Weavers of that time had tremendous resources at their disposal in creating objects of the utmost beauty. These carpets are made to reflect the power and refinement of the Ottoman Empire. Turkish design traditions, dictated that all designs were endless in the eyes of God, and that an artist was only able to capture a small portion of any given design for earthly representation by confining the repeat within a border. The power of these carpets was appreciated by the rulers of the East as well as by the noble, aristocratic and richer classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste of the sitter. One of the most famous of these early depictions is a posthumous portrait of Henry VIII and his family attributed to Lucas de Heere, circa 1570.
12′ x 15’8″