Showing 181–192 of 201 results
Antique Rugs, Designer Collections, Four Seasons Collection, Oushak, Oushak Rugs, Persian Rugs, The Contempo Collection, The Four Seasons Collection, The Malibu Collection, Usak Rugs, Ziegler & Company
9×11’6
Antique Turkish Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period. Historians attributed to them many of the great masterpieces of early Turkish carpet weaving from the fifteenth to the seventeenth centuries
Antique Rugs, Oushak, Oushak Rugs, Persian Rugs, Sarouk Rugs, The Malibu Collection, Usak Rugs, Ziegler & Company
10’2″ x 13’10”
Antique Turkish Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period
Oushak Rugs, The Montecito Collection, Turkish Rugs, Usak Rugs, Ziegler & Company
10’5×14
Antique Turkish Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period.
Antique Rugs, Collectible Rugs
7’9×9’9
This antique Turkish Bergama rug possesses an exquisite natural palette and patina, and offers inspired artistry unique to its provenance.
7’9×9’9
Collectible Rugs, Oushak, Oushak Rugs, Persian Rugs, The Montecito Collection, The Montecito Valley Club Collection, Usak Rugs, Ziegler & Company
8×9’10
Oushak rugs have been woven in Western Turkey since the beginning of the Ottoman period. Historians attributed to them many of the great masterpieces of early Turkish carpet weaving from the fifteenth to the seventeenth centuries
Antique Rugs, Oushak, Oushak Rugs, The Montecito Collection, Usak Rugs, Ziegler & Company
12×14’2
Finest hand spun Ziegler & co Oushak. These extremely rare design concepts continued through the 17th and 18th centuries evolving in drawing and weave. The Turkish community revered carpet weaving as one of the highest forms of art. The court weavers of that time had tremendous resources at their disposal. What came forth were designs of the utmost beauty and magnificence that would reflect the power and refinement of the Ottoman Empire.
Turkish design traditions held that all designs were endless in the eyes of God, It was believed an artist’s work was capturing only a small portion of the complicated designs. The vast beauty of these carpets was appreciated by the rulers of the East and even more so by the noble and aristocratic classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste.
Antique Rugs, Classical Rugs, Collectible Rugs, Ziegler & Company
9’1 x 11’9
Finest Ziegler & Co Oushak hand spun of natural wool.
Antique Rugs, Classical Rugs, Collectible Rugs, Ziegler & Company
Finest Ziegler Oushak is a very beautiful example of the masterful Turkish classical weaving. These “sampler” rugs were used to show potential customers the many patterns and motifs available to them.
Size:8’9 x 12’3
Modern Rugs, Patchworks
Different colors, shades and tones mix nicely in this Dark Grey Patchwork. This Turkish masterpiece has fun designs and colors due to all the different old rugs that were sewn together.
Antique Rugs, Classical Rugs, Oushak Rugs, Turkish Rugs
This 17thCentury Classical Oushak carpet is an superb example of the best-known group of classical Ottoman workshop weavers. In the 16th century, carpet weaving was revered as one of the highest forms of art by the Turkish court. Weavers of that time had tremendous resources at their disposal in creating objects of the utmost beauty. These carpets are made to reflect the power and refinement of the Ottoman Empire. Here, the bold central medallions flanked by half medallions, juxtaposed with the delicately drawn tracery vines proudly display this carpet´s court patronage heritage. Turkish design traditions, dictated that all designs were endless in the eyes of God, and that an artist was only able to capture a small portion of any given design for earthly representation by confining the repeat within a border. The power of these carpets was appreciated by the rulers of the East as well as by the noble, aristocratic and richer classes of Europe. Beginning in the early 16th century, Oushak Medallion carpets were featured in European portraits to signify the wealth, stature and taste of the sitter. One of the most famous of these early depictions is a posthumous portrait of Henry VIII and his family attributed to Lucas de Heere.